CUET PG हिंदुस्तानी संगीत (गायन / वादन) सिलेबस 2027

इकाई 1 Detailed knowledge and the salient features of Ragas & their comparative study

Prescribed Ragas: Bilawal, Alhaiya Bilawal, Bhairav, Kafi, Yaman, Khamaj, Asawari, Bhupali, Deshkar, Brindabani Sarang, Malkauns, Bihag, Bhimpalasi, Bageshri, Des, Jaijaiwanti, Ramkali, Hameer, Kedar, Kamod, Chhayanat, Todi, Multani, Gaud Sarang, Patdeep, Puriya Dhanashri, Shuddha Sarang,Jaunpuri, Shyam Kalyan, Ahir Bhairav, Tilak Kamod, Miyan Ki Malhar, Bahar,Basant, Puriya, Marwa, Sohini, Desi,

इकाई 2 Pilu, Bhairavi, Shree, Darbari Kanhara, Purvi

इकाई 3 Detailed knowledge of the Talas and their comparative study

• Prescribed Talas: Dadra, Keharwa, Rupak, Teevra, Jhaptala, Sultala, Ektala, Chautala, Teentala, Tilwada, Dhamar, Jhumra, Ada Chautala, Pancham Savari,

इकाई 4 Undestanding of musical terms

• Naad, Dhwani, Shruti, Swara, Saptak, Thaat, Raga, Vadi, Samvadi, Anuvadi, Vivadi, Jati, Varna, Alankar, Sthayi, Antara, Tana, Gamak, Meend, Kan, Krintan, Soot, Zamzama, Ghaseet, Kaku, Avirbav, Tirobhav, Gayak ke gun avagun, Adhwadarshak Swar, Parmel Praveshak Raga, Purvang Vadi Raga,m Uttarang
• Vadi Raga
• Preliminary idea about Carnatic Music: Swar, Taal, Raga

इकाई 5 Acoustics

• Pitch, Intensity, Timbre, Vibration, Forced Vibration, Free Vibration, Just Intonation, Equally

इकाई 6 Tempered Scale, Harmony, Melody, Polyphony

इकाई 7 Musical forms

• Gram, Murcchana, Gandharva, Gaan, Nibhaddha-Anibaddha, Jati Gayan, Prabandha, Dhrupad, Dhamar, Khayal, Tarana, Thumri, Tappa, Bhajan, Chaturang, Maseetkhani Gat, Razakhaani Gat, Alap, Bol-Alap,

इकाई 8 Jod, Alap, Vilambit Gat, Drut Gat, Jhaala

इकाई 9 Laya and Tala

• Laya- Meaning: Vilambit, Madhya, Drut
• Layakari – Dugun, Tigun Chaugun, Chhagun, Aada, Kuaad Biaad
• Tala – Meaning, Avartan, Matra, Tali, Khali, Sam, Vibhag
• Dash Pranas Of Tala

इकाई 10 Study of following texts

• Natya Shastra, Brihaddheshi ,Sangeet Makarand, Sangeet Ratnakar, Swarmel Kala Nidhi, Raga Vibodh, Sadragchandrodaya, Raga Tarangini, Sangeet Parijat, Raga Tattwa

इकाई 11 Vibodh Chaturdandi Prakashika, Geet Govind

इकाई 12 Contribution of musician/scholars

Tansen, Amir Khusru, Jaidev, Sadarang, Adarang, Mansingh Tomar, V.N. Bhatkhande, V.D Paluskar. S.N Ratanjankar, Omkar Nath Thakur, Haddu-Hassu Khan, Bade Gulam Ali Khan, Abdul KarimKhan, Vilayat Hussain Khan, Allaudin Khan, Mushtaq Ali Khan

इकाई 13 Study of musical concepts

• A. Classification of Musical Instruments: Tatta, Avnaddha, Ghan, Shushir B. Knowledge, construction and tuning of the prominent instruments and playing techniques of Sitar Guitar, Violin, Santoor, Tabla
• C. Classification of Ragas a. Raga-Ragini Classification b. Thaat-Raga Classification c. Ragaang Classification d. Time Theory of Ragas
• Knowledge of Notation system a. Detailed knowledge of V.N. Bhatkhande Notation System b. Detailed knowledge of V.D Paluskar Notation System c. Basic knowledge of Staff Notation System
• Gharana and Their Significant Features a. Gharana- Meaning and importance b. Dhrupad- Banis, Dagar, Darbhanga, Betia styles c. Vocal- Gwailor, Agra, Delhi, Kirana, Jaipur, Patiala, Rampur Sahswan d. Instrumental Music (string and percussion) and their prominent gharanas
• Life and contribution of Carnatic and Western composers a) Thygaraja, Mutthuswamy Dikshitar, Shyama Shastri b) Bach, Beethoven, Mozart, Schubert

इकाई 14 Current affairs/ General knowledge on Music